Here you can introduce sources like LFOs, envelopes, sliders or X-Y pads, or external MIDI sources (mod wheel, velocity, aftertouch etc). The filter section too lets you easily select from the options detailed in the main text, but the real fun happens in the modulation section. Start on the left-hand side and simply introduce different oscillator types, sync values and tuning options by way of (usually) drop-down menus. (Image credit: FabFilter) Sound design and modulation However, Twin 3 really – and we mean really – excels on the kind of hands-on, real-time manipulation that we love the kind of tweaking that has you reaching for the save button over and over, so on that score, this is a real winner. Which is just as well, because 14 years on, the dance/analogue thing is done by more softsynths than any other kind of synth out there, so there’s a lot of competition. The sounds are immense and as punchy as you like, but really this synth goes a lot further. It sounds every bit as good for dance sounds (and even includes a Best Of selection from Twin 2). Version 3 certainly takes things up a few notches. It boasts huge sounds – but what synth doesn’t these days? It’s where you can take them that countsĪt launch, FabFilter Twin stood proud as one of the few synths that delivered not just the analogue dance sounds of the era, but also other varied sonics. These enable you to change these values for all four of the filters simultaneously and can really add some supercharged drama. We also like the extra Filter Frequency Peak and Offset controls to the right of the filter section.
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